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folio-2: pHoTogRapHiC studies – nuclear-Molecular is nUkiEmOLe dot oRg
arraddison@nukiemole.com

folio-2: pHoTogRapHiC studies

The ph0togRapHiC tRavels and tRavails of the multiple hikes and Ecology-studies may never become fully previewed by me for the publics, because of the new-Rome’s obsequious utility for wArs and masse` muRdeRs that involve a totality of destRuction to cultures, civilizations and aRchitectuRal significance in a woRld replete w ecology-Planet natuRalness (planet-Erathe) amenities of hearty-Rebuke and animosity takes a fRont seat as well.

My hikes were hardships because of film canisters and long distances where scheduling a “shoot” did not always proffer results as spectacular as Kodachrome-64 should produce ‘every-take’. My associations w Ecosocialism, in 1967 was the other side and not an antithesis, as well as connection to science-Adversary. The study of how the harshities of Reality often provide “candids” and how landscape can best be guided by lack-of-CO2 was endemic from the very beginning.

My extent of adding and siding w apeco-philosophy was to gRow w the extant of Life and/oR nucleaR amassed madness engRossments and engoRgements. I baRely had space-Time until consort when otheR taskful measuRes might abjuRe the method of madness, so I would delve more deeply into political-analysis. The Visuality was there from education and utility not to standaRdize the vacuous-Extent, that looking is visuality, which that is not. The visuality, if viRtual use of eyes and manneRisms of cReating the philosophical adequacies that foRmulate “change” is then ‘simple’. No. Keep searching while reading, better viRtual-cognizance as the extension of the hands. Period.

"R" Addison

I started into believing that I would be able to show my data and my photogRapHics in 1996. By 1998 I was learning computers would gain ascendant methods thru technics of programming for a future connected to data and information. That was nuclear-Molecular finding(s) to share and my personal-Activism w first account specifics and engendering(s).

As cameras went 'digital-Tech' I fond that editing was also to follow in 2004. Then, in 2005 my first digital camera had replaced usage(s) of s.l.r. 35 mm's. I have no mercy nor pity for the thieves who have stolen my hard werk, as anxiety of what I allowed was mid-stReam--anyway! Those asshole-Pukes have cost me $1,000's on a fixed income and I remain single, sole-Survivor of two-Families w.o. offspring!

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